Skip to main content Accessibility help
×
  • Cited by 20
Publisher:
Cambridge University Press
Online publication date:
October 2012
Print publication year:
2011
Online ISBN:
9780511667022

Book description

Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Works cited
Albracht, F. 1895. Kampf und Kampfdarstellung bei Homer 2. Naumburg; Eng. trans.: Battle and Battle Description in Homer: A Contribution to the History of War, by P. Jones, M. Willcock, and G. Wright. London, 2005.
Ameis, K. F. and Hentze, C., eds. 1882. Homers Ilias für den Schulgebrauch erklärt, 2nd edn. Leipzig.
Andersson, T. M. 1976. Early Epic Scenery: Homer, Virgil, and the Medieval Legacy. Ithaca, NY.
Andrewes, A. 1961. “Phratries in Homer.” Hermes 89: 129–40.
Arend, W. 1933. Die typischen Scenen bei Homer. Berlin.
Armstrong, C. B. 1969. “The Casualty Lists in the Trojan War.” Greece and Rome 16: 30–31.
Armstrong, J. I. 1958. “The Arming Motif in the ‘Iliad’.” American Journal of Philology 79: 337–54.
Asper, M. 1997. Onomata allotria: Zur Genese, Struktur und Funktion poetologischer Metaphern bei Kallimachos. Hermes Einzelschriften 75. Stuttgart.
Arthur, M. B. 1981. “The Divided World of Iliadvi.” In Reflections of Women in Antiquity, ed. Foley, H.. New York: 19–44.
Auerbach, E. 1953. “Odysseus' Scar.” In Mimesis: The Representation of Reality in Western Literature, trans.Trask, W.. Princeton: 3–23.
Baddeley, A. 1994. “The Magical Number Seven: Still Magic after All These Years?Psychological Review 10: 353–56.
Balutova, B. 1979. Spatial Complex: A Study of Spatial Problems in Fiction Illustrated with Examples from Representative Works of English Short Fiction 1900–1925. Warsaw.
Bakker, E. J. 1993. “Discourse and Performance: Involvement, Visualization and ‘Presence’ in Homeric Poetry.” Classical Antiquity 12: 1–29.
Bakker, E. J. 2005. Pointing to the Past: From Formula to Performance in Homeric Poetics. Cambridge, MA.
Bakker, E. J. 2008. “Epic Remembering.” In Orality, Literacy, Memory in the Ancient Greek and Roman World, ed. Mackay, E. A.. Leiden: 65–77.
Bartolotta, A. 2002. L'occhio della mente. Un'eredità indoeuropea nei poemi omerici. Palermo.
Basset, L. 1989. “L'augment et la distinction discours/récit dans l'Iliade et l'Odyssée.” Études Homériques. Lyon: 9–16.
Becker, O. 1937. Das Bild des Weges und verwandte Vorstellungen im frühgriechischen Denken. Hermes Einzelschriften 4. Berlin.
Beye, C. 1964. “Homeric Battle Narratives and Catalogues.” Harvard Studies in Classical Philology 68: 345–73.
Blum, H. 1969. Die antike Mnemotechnik. Spudasmata 15. Hildesheim.
Boedeker, D., ed. 1998. The World of Troy. Special issue of Classical World 91.5.
Bolzoni, L. 1995. The Gallery of Memory: Literary and Iconographic Models in the Age of the Printing Press, trans. J. Parzen. Toronto.
Bonfazi, A. 2007. “Memory and Visualization in Homeric Discourse Markers.” In Orality, Literacy, Memory in the Ancient Greek and Roman World, ed. Mackay, E. A.. Leiden: 35–64.
Brown, G. 1995. Speakers, Listeners and Communication: Explorations in Discourse Analysis. Cambridge.
Brückner, A. 1912. “Das Schlachtfeld vor Troia.” ArchäologischerAnzeiger: 616–33.
Bruford, A. and Todd, N.. 1996. “The Eye behind the Mouth: The Contribution of Visual Memory to Oral Storytelling.” In Orality, Literacy, and Modern Media, ed. Scheunemann, D.. Columbia, SC: 7–14.
Buck, C. D. 1949. A Dictionary of Selected Synonyms in the Principal Indo-European Languages. Chicago.
Byre, C. S. 1994. “On the Description of the Harbor of Phorkys and the Cave of the Nymphs, Odyssey 13.96–112.” Americal Journal of Philology 115: 1–13.
Calame, C. 1991. “Quand dire c'est faire voir: l'évidence dans la rhétorique antique.” Études de Lettres 4: 3–22.
Carruthers, M. and Ziolkowski, J. M., eds. 2002. The Medieval Craft of Memory: An Anthology of Texts and Pictures. Philadelphia.
Cauer, P. 1914. “Der Verlauf der Kampfszenen im M und O der Ilias.” Rheinisches Museum 69: 56–79.
Clarke, K. 1999. Between Geography and History. Oxford.
Clay, J. Strauss. 1983. The Wrath of Athena: Gods and Men in the Odyssey. Princeton.
Clay, J. Strauss. 1994a. “The Dais of Death.” Transactions and Proceedings of the American Philological Association: 124: 35–40.
Clay, J. Strauss. 1994b. “Sex, Drugs and…Poetry.” In Epic and Epoch: Essays on the Interpretation and History of a Genre, ed. Oberhelman, S., Kelly, V., and Golsan, R.. Lubbock: 40–48.
Clay, J. Strauss. 1995. “Agamemnon's Stance.” Philologus 139: 72–75.
Clay, J. Strauss. 1999. “The Whip and Will of Zeus.” Literary Imagination 1: 40–60.
Clay, J. Strauss. 2003. Hesiod's Cosmos. Cambridge.
Clay, J. Strauss. 2009. “How to Be a Hero.” In Ἀντϕίλησις: Studies in Classical, Byzantine and Modern Greek Literature and Culture in Honour of John-Theophanes A. Papademetriou, ed. Karamalengou, E. and Makrygianni, E.. Stuttgart: 30–38.
Colosanti, G. 1999. “Il simposio in Omero.” Materiali e Discussioni 43: 41–73.
Comrie, B. 1976. Aspect. Cambridge.
Courtney, S., L. G. Ungeleider, K. Keil, and J. V. Haxby. 1996. “Object and Spatial Visual Working Memory Activate Separate Neural Systems in Human Cortex.” Cerebral Cortex 6: 39–49.
Cuillandre, J. 1944. La droite et la gauche dans les poèmes homérique en concordance avec la doctrine pythagorienne et avec la tradition celtique. Paris.
Culler, J. 1981. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca, NY.
Danek, G. 1988. Studien zur Dolonie. Wiener Studien Beiheft 12. Vienna.
Danek, G. 1999. “Synchronisation von Handlungsträngen in Ilias 14. 1–40.” In Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis, ed. Kazazis, J. N. and Rengakos, A.. Stuttgart: 76–88.
Danek, G. 2004. “Der Schiffskatalog der Ilias: Form und Funktion.” In Ad fontes! Festschrift für Gerhard Dobesch, ed. Hefner, H. and Dobesch, G.. Vienna: 59–72.
Davies, M. 1986. “Nestor's Advice in Iliad 7.” Eranos 84: 69–75.
Davison, J. A. 1965. “Thucydides, Homer and the Achaean Wall.” Greek, Roman and Byzantine Studies 6: 5–28.
Delebeque, E. 1958. Télémaque et la structure de l' Odyssée. Aix-en-Provence.
Delebeque, E. 1970. La construction de l' Odyssée. Paris.
Denis, M., Daniel, M.-P., S. Fontaine, and F. Pazzaglia. 2001. “Language, Spatial Cognition and Navigation.” In Imagery, Language, and Visuo-spatial Thinking, ed. Denis, M., Logie, R. L., C. Cornoldo, M. de Vega, and J. Engelkamp. Philadelphia: 137–60.
Detienne, M. 1965. “En Grèce archaïque: géométrie, politique et société.” Annales Économies, Sociétés, Civilisations 20: 425–40.
Detienne, M. 1967. Les maîtres de la vérité en Grèce archaïque. Paris.
Dillery, J. 2004. “The θεατής θεῶν: Josephus C. Ap. 1.232 (FGRHist 609 f 10) Reconsidered.” Classical Journal 99: 239–52.
Dillery, J. 2008. “The θεατής: More Texts, Further Thoughts,” Classical Journal 103: 243–63.
Dodds, E. R. 1951. The Greeks and the Irrational. Berkeley.
Downs, R. M. and Stea, D.. 1977. Maps in Mind: Reflections on Cognitive Mapping. New York.
Dubel, S. 1997. “Ekphrasis et enargeia: la description antique comme parcours.” In Dire l'evidence (philosophie et rhétorique antiques), ed. Lévy, C. and Pernot, L.. Paris: 249–64.
Durante, M. 1968. “Epea pteroenta. Die Rede als ‘Weg’ in griechischen und vedischen Bildern.” In Indogermanische Dichtersprache, ed. Schmitt, R.. Darmstadt: 242–60.
Edwards, M. W. 1980. “The Structure of Homeric Catalogues.” Transactions and Proceedings of the American PhilologicalAssociation 110: 81–105.
Edwards, M. W. 1991. The Iliad: A Commentary, vol. v: Books 17–20. Cambridge.
Edwards, M. W. 1992. “Homer and Oral Tradition: The Type-Scene.” Oral Tradition 7: 248–330.
Elliger, W. 1975. Die Darstellung der Landschaft in der griechischen Dichtung. Berlin.
Esrock, E. J. 1994. The Reader's Eye: Visual Imaging as Reader Response. Baltimore.
Fenik, B. 1968. Typical Battle Scenes in the Iliad: Studies in the Narrative Techniques of Homeric Battle Descriptions. Hermes Einzelschriften 21. Wiesbaden.
Fenik, B. 1986. Homer and the Nibelungenlied: Comparative Studies in Epic Style. Cambridge, MA.
Ferguson, F. and Hegarty, M.. 1994. “Properties of Cognitive Maps Constructed from Texts.” Memory and Cognition 22: 455–73.
Finkelberg, M. 2002. “The Sources of Iliad 7.” Colby Quarterly 38: 151–62.
Fleischman, S. 1990. Tense and Narrativity: From Medieval Performance to Modern Fiction. Austin.
Ford, A. 1992. Homer: The Poetry of the Past. Ithaca, NY.
Ford, A. 2002. The Origins of Criticism. Princeton.
Foley, J. M. 1999. Homer's Traditional Art. University Park, PA.
Frank, J. 1963. “Spatial Form in Modern Literature.” In The Widening Gyre: Crisis and Mastery in Modern Literature. New Brunswick, NJ: 3–62.
Fränkel, H. 1921. Die homerischen Gleichnisse. Göttingen.
Fränkel, H. 1968. “Die Zeitauffassung in der archaischen griechischen Literatur.” In Wege und Formen frühgriechischen Denkens. Munich: 1–22.
Friedrich, P. 1974. “On Aspect Theory and Homeric Aspect.” International Journal of American Linguistics. Memoirs 28, 40: 1–44.
Friedrich, W. H. 1956. Verwundung und Tod in der Ilias. Göttingen; Eng. trans.: Wounding and Death in the Iliad, by Wright, G. and Jones, P.. London, 2003.
Friedrich, W. H. 1982. “Von homerischen Gleichnissen und ihren Schicksalen,” Antike und Abendland 28: 103–30.
Gehrke, H.-J. 1998. “Die Geburt der Erdkunde aus dem Geiste der Geometrie. Überlegungen zur Entstehung und zur Frühgeschichte der wissenschaftlichen Geographie bei den Griechen.” In Gattungen wissenschaftlicher Literatur in der Antike, ed. Kullmann, W., Althoff, J., and Asper, M.. Scripta Oralia 95. Tübingen: 163–92.
Genette, G. 1980. Narrative Discourse: An Essay on Method, trans. Lewin, J. E.. Ithaca, NY.
Giannisi, P. 1997. “Chant et cheminement en Grèce archaïque.” Quaderni di Storia 46: 133–41.
Giannisi, P. 2006. Récits des voies: chant et cheminement en Grèce archaïque. Grenoble.
Giovannini, A. 1969. Études historiques sur les origins du catalogue des vaisseaux. Bern.
Goldmann, S. 1989. “Statt Totenklage Gedächnis: Zur Erfindung der Mnemotechnik durch Simonides von Keos.” Poetica 21: 43–66.
Graziosi, B. and Haubold, J.. 2005. The Resonance of Epic. London.
Griffin, J. 1980. Homer on Life and Death. Oxford.
Hainsworth, J. B. 1966. “Joining Battle in Homer.” Greece and Rome 13: 158–66.
Hainsworth, J. B. 1988. A Commentary on Homer's Odyssey, vol. i, ed. Heubeck, A., West, S., and Hainsworth, J. B.. Oxford.
Hainsworth, J. B. 1993. The Iliad: A Commentary, vol. iii. Cambridge.
Hellmann, O. 2000. Die Schlachtszenen der Ilias. Hermes Einzelschriften 83. Stuttgart.
Hellwig, B. 1964. Raum und Zeit im homerischen Epos. Spudasmata 2. Hildesheim.
Hope Simpson, R. and Lazenby, J. V.. 1970. The Catalogue of Ships in Homer's Iliad. Oxford.
Jacob, C. 1990. “Le voyage et le palimpseste: les parcours de la lecture dans un manuel de géographie antique.” Littérales 7: 31–49.
Jacoby, F. 1944. “Patrios nomos: State Burial in Athens and the Public Cemetery in the Keramaikos.” Journal of Hellenic Studies 64: 37–66.
Jakobson, R. 1981. Selected Writings: Poetry of Grammar and Grammar of Poetry, ed. Rudy, S.. The Hague.
Janko, R. 1992. The Iliad: A Commentary, vol. iv. Cambridge.
Janni, P. 1984. La Mappa e il periplo: cartografia antica e spazio odologico. Rome.
Jarvella, R. J. and Klein, W., eds. 1982. Speech, Place, and Action: Studies in Deixis and Related Topics. Chichester.
Jong, I. 1985. “Eurykleia and Odysseus' Scar: Odyssey 19. 393–466.” Classical Quarterly 35: 517–18.
Jong, I. 1987. Narrators and Focalizers: The Presentation of the Story in the Iliad. London.
Jong, I. and Nünlist, R.. 2004. “From Bird's Eye View to Close-up.” In Antike Literatur in neuer Deutung. Festschrift für Joachim Latacz, ed. Bierl, A., Schmitt, A., and Willi, A.. Leipzig: 63–83.
Jonson, B. 1976. Timber, or, Discoveries. Syracuse.
Jordan, H. 1905. Der Erzählungsstil in den Kampfscenen der Ilias. Breslau.
Jousse, M. 1925. Le Style oral rythmique et mnémotechnique chez les verbo-moteurs. Paris; Eng. trans.: The Oral Style, by E. Sienaert and R. Whitaker. New York, 1990.
Kahane, A. 2005. Diachronic Dialogues: Authority and Continuity in Homer and the Homeric Tradition. Lanham, MD.
Kakrides, J. T. 1949. Homeric Researches. Lund.
Kilmartin, M. 1975. “A Rhetorical Figure in Latin Historical Style.” Transactions and Proceedings of the American Philological Association 105: 99–121.
Kirk, G. S. 1968. “War and the Warrior in the Homeric Poems.” In Problèmes de la guerre en Grèce ancienne, ed. Vernant, J.-P.. Paris: 93–117.
Kirk, G. S. 1985. The Iliad: A Commentary, vol. i. Cambridge.
Kirk, G. S. 1990. The Iliad: A Commentary, vol. ii. Cambridge.
Klein, W. 1982. “Local Deixis in Route Directions.” In Speech, Place, and Action, ed. Jarvella, R. and Klein, W.. Chichester: 161–82.
Krischer, T. 1971. Formale Konventionen der homerischen Epik. Munich.
Labrie, V. 1981. “The Itinerary as a Possible Memorized Form of the Folktale.” Scandinavian Yearbook of Folklore 37: 89–102.
Labrie, V. 1983. “Cartography and Graphic Analysis of the Physical Universe in the Odyssey Story.” Journal of Folklore Research 20: 219–42.
Lackner, M., ed. 1986. Das vergessene Gedächtnis: Die jesuitische mnemotechnische Abhandlung Xiguo Jifa: Übersetzung und Kommentar. Stuttgart.
Latacz, J. 1977. Kampfparänese, Kampfdarstellung und Kampfwirklichkeit in der Ilias, bei Kallinos und Tyrtaios. Zetemata 66. Munich.
Latacz, J. 2001. Troia und Homer. Der Weg zur Lösung eines alten Rätsels. Munich; Eng. trans.: Troy and Homer: Towards a Solution of an Old Mystery. Oxford, 2004.
Lateiner, D. 1995. The Sardonic Smile: Nonverbal Behavior in Homeric Epic. Ann Arbor.
Leach, E. 1988. The Rhetoric of Space: Literary and Artistic Representations of Landscape in Republican and Augustan Rome. Princeton.
Leaf, W. 1900–2. The Iliad. 2 vols. London.
Lendon, J. E. 2005. Soldiers and Ghosts: A History of Battle in Classical Antiquity. New Haven.
Lessing, G. F. n. d. Laokoon. In Lessings Werke in einem Band, ed. Stenzel, G.. Salzburg.
Létoublon, F. 1985. Il allait, pareil à la nuit. Paris.
Levelt, W. 1982. “Cognitive Styles in the Use of Spatial Direction Terms.” In Speech, Place, and Action, ed. Jarvella, R. and Klein, W.. Chichester: 251–68.
Lewin, K. 1934. “Der Richtungsbegriff in der Psychologie. Der spezielle und allgemeine hodologische Raum.” Psychologische Forschung 19: 249–99 = Kurt-Lewin-Werkausgabe, vol. iv: Feldtheorie, ed. Graumann, C.-F.. Stuttgart, 1982: 315–25.
Linde, C. and Labov, W.. 1975. “Spatial Networks as a Site of Language and Thought.” Language 51: 924–39.
Lissarrague, F. 1990. “Around the Krater.” In Sympotica: A Symposium on the Symposion, ed. Murray, O.. Oxford: 196–209.
Lord, A. B. 1960. The Singer of Tales. Cambridge, MA.
Lowe, N. J. 2000. The Classical Plot. Oxford.
Luce, J. V. 2003. “The Case for Historical Significance in Homer's Landmarks at Troia.” In Troia and the Troad: Scientific Approaches, ed. Wagner, G. A., Pernicka, E., and Uepermann, H.-P.. Berlin: 9–30.
Lynch, K. 1960. The Image of the City. Boston.
Lynn-George, M. 1988. Epos: Word, Narrative and the Iliad. London.
Macdonald, D. A. 1978. “A Visual Memory.” Scottish Studies 22: 1–26.
Macdonald, D. A. 1981. “Some Aspects of Visual and Verbal Memory in Gaelic Storytelling.” Scandinavian Yearbook of Folklore 37: 117–24.
Mack, J. 2003. Museum of the Mind. London.
Mackie, H. 1997. “Song and Storytelling: An Odyssean Perspective.” Transactions and Proceedings of the American Philological Association 127: 77–95.
Maitland, J. 1999. “Poseidon, Walls, and Narrative Complexity in the HomericIliad.” Classical Quarterly 49: 2–9.
Manieri, A. 1998. L'immagine poetica nella teoria degli antichi: phantasia ed enargeia. Rome.
Mannsperger, B. 1993. “Das Dardanische Tor in der Ilias.” Studia Troica 3: 193–99.
Mannsperger, B. 1995. “Die Funktion des Grabens am Schiffslager der Achäer.” Studia Troica 5: 343–56.
Mannsperger, B. 1998. “Die Mauer am Schiffslager der Achaier.” Studia Troica 8: 287–304.
Mannsperger, B. 2001. “Das Stadtbild von Troia in der Ilias.” In Troia: Traum und Wirklichkeit. Darmstadt: 81–83.
Maronitis, D. N. 2004. Homeric Megathemes: War-Homilia-Homecoming, trans. D. Connoley. Lanham, MD.
Martin, R. 1989. The Language of Heroes. Ithaca, NY.
Martin, R. 1997. “Similes and Performance.” In Written Voices, Spoken Signs, ed. Bakker, E. and Kahane, A.. Cambridge, MA: 138–66.
Mayrhofer, M. 1958–80. Kurzgefasstes etymologisches Wörterbuch des Altindischen. Heidelberg.
Mehmel, F. 1940. Virgil und Apollonius Rhodius: Untersuchungen über die Zeitvorstellung in der antiken epischen Erzählung. Hamburg.
Meijering, R. 1987. Literary and Rhetorical Theories in Greek Scholia. Groningen.
Mellink, M., ed. 1986. Troy and the Trojan War: A Symposium Held at Bryn Mawr College October 1984. Bryn Mawr, PA.
Merkelbach, R. 1960. “Aiante.” Glotta 38: 268–70.
Mette, H. 1960. “‘Schauen’ und ‘Staunen’.” Glotta 39: 49–71.
Mey, O. 1926. Das Schlachtfeld vor Troia: Eine Untersuchung. Berlin.
Miller, G. A. 1956. “The Magical Number Seven, Plus or Minus Two: Some Limits on our Capacity for Processing Information.” Psychological Review 63: 81–97.
Minchin, E. 2001a. Homer and the Resources of Memory: Some Applications of Cognitive Theory to the Iliad and the Odyssey. Oxford.
Minchin, E. 2001b. “Similes in Homer: Image, Mind's Eye, and Memory.” In Speaking Volumes: Orality and Literacy in the Greek and Roman World, ed. Watson, Janet. Leiden: 25–52.
Minchin, E. 2008. “Spatial Memory and the Composition of the Iliad.” In Orality, Literacy, Memory in the Ancient Greek and Roman World, ed. Mackay, E. A.. Leiden: 9–34.
Morrison, J. V. 1994. “Thematic Inversion in the Iliad: The Greeks under Siege.” Greek, Roman and Byzantine Studies 35: 209–27.
Moulton, C. 1977. Similes in the Homeric Poems. Hypomnemata 49. Göttingen.
Mueller, M. 1984. The Iliad. London.
Mugler, C. 1960. “La lumière et la vision dans la poésie grecque,” Revue des Études Grecques 73: 40–73.
Mugler, C. 1964. Dictionnaire historique de la terminologie optique des Grecs. Paris.
Müller, F. L. 1996. Kritische Gedanken zur antiken Mnemotechnik und zum Auctor ad Herennium. Stuttgart.
Murray, O. 1994. “Nestor's Cup and the Origins of the Greek Symposion.” AION (archeol) n.s.: 47–54.
Nabokov, V. 1980. Lectures on Literature, ed. Bowers, F.. New York.
Nagy, G. 1979. The Best of the Achaeans. Baltimore.
Nagy, G. 1990a. Pindar's Homer. Baltimore.
Nagy, G. 1990b. “Sêma and Nóêsis: The Hero's Tomb and the ‘Reading’ of Symbols in Homer and Hesiod.” In Greek Mythology and Poetics. Ithaca: 202–22.
Nagy, G. 2004. Homer's Text and Language. Urbana.
Nannini, S. 2003. Analogia e polarità in similitudine: Paragoni iliadici e odissiaci a confronto. Amsterdam.
Niens, C. 1987. Struktur und Dynamik in den Kamfszenen der Ilias. Heidelberg.
Nünlist, R. 1998. “Der Homerische Erzähler und das sogenannte Sukzessionsgesetz.” Museum Helveticum 55: 2–8.
Obbink, D. 2001. “The Genre of Plataea.” In The New Simonides: Contexts of Praise and Desire, ed. Boedeker, D. and Sider, D.. Oxford: 65–85.
Olson, S. D. 1995. Blood and Iron: Stories and Storytelling in Homer's Odyssey. Leiden.
Page, D. 1959. History and the Homeric Iliad. Berkeley.
Pöhlmann, E. 1999. “Die Topographie der Troas in der Ilias: Fiktion und Realität.” Würzburger Jahrbücher für Altertumswissenschaft 23: 25–34.
Prévot, A. 1935. “Verbes grecs relatifs à la vision et noms de l'oeil,” Revue de Philologie 9: 133–60, 233–79.
Prier, R. A. 1989. Thauma idesthai: The Phenomenology of Sight and Appearance in Archaic Greek. Tallahassee.
Pritchett, W. K. 1985. The Greek State at War, vol. iv. Berkeley.
Purves, A. 2010. Space and Time in Ancient Greek Narrative. New York.
Rabel, R. 1991. “Agamemnon's Iliad.” Greek, Roman and Byzantine Studies 32: 103–17.
Rambaud, M. 1974. “L'espace dans le récit césarien.” In Littérature gréco-romaine et géographie historique: mélanges offerts à Roger Dion, ed. Chevallier, R.. Paris: 111–29.
Reece, S. 1995. “The Three Circuits of the Suitors: A Ring Composition in the Odyssey 17–22.” Oral Tradition 10: 207–29.
Reichel, R. 1994. Fernbeziehungen in der Ilias. Scripta Oralia 62. Tübingen.
Reinhardt, K. 1961. Die Ilias und ihr Dichter. Göttingen.
Rengakos, A. 1995. “Zeit und Gleichzeitigkeit in den homerischen Epen.” Antike und Abendland 41: 1–33.
Ribbeck, W. 1880. “Μάχης ἐπ᾿ ἀριστερά.” Rheinisches Museum 35: 610–26.
Richardson, N. 1993. The Iliad: A Commentary, vol. vi. Cambridge.
Richardson, S. 1990. The Homeric Narrator. Nashville.
Risch, E. 1985. “Homerisch ἘΝΝΕΠΩ, lakonisch ἘΦΕΝΕΠΟΝΤΙ und die alte Erzählprosa.” Zeitschrift für Papyrologie und Epigraphik 60: 1–9.
Romagno, D. 2005. Il perfetto omerico. Milan.
Rossi, A. 2004. Contexts of War: Manipulation of Genre in Virgilian Battle Narrative. Ann Arbor.
Rouveret, A. 1989. Histoire et imaginaire de la peinture ancienne. Rome.
Rubin, D. 1995. Memory in Oral Traditions: The Cognitive Psychology of Epic, Ballads, and Counting-out Rhymes. New York.
Ruijgh, C. J. 2004. “À propos des nouvelles tablettes de Thèbes 1.” Mnemosyne 57: 1–44.
Russo, J. A. and Simon, B.. 1968. “Homeric Psychology and the Oral Epic Tradition.” Journal of the History of Ideas 29: 483–98.
Russo, J. A. and Simon, B.. 1976. “Is ‘Oral’ or ‘Aural’ Composition the Cause of Homer's Formulaic Style?” In Oral Literature and the Formula, ed. Stolz, B. and Shannon, R.. Ann Arbor: 31–54.
Ryan, M.-L. 2003. “Cognitive Maps and the Construction of Narrative Space.” In Narrative Theory and the Cognitive Sciences, ed. Herman, D.. Stanford: 214–42.
Samuel, R. 1994. Theatres of Memory. 2 vols. London.
Sappok, C. 1970. Die Bedeutung des Raumes für die Struktur des Erzählwerks. Munich.
Schadewaldt, W. 1965a. Von Homers Welt und Werk. Stuttgart.
Schadewaldt, W. 1965b. “Hektor und Andromache.” In Von Homers Welt und Werk. Stuttgart: 207–33.
Schadewaldt, W. 1966. Iliasstudien. Berlin.
Schröter, R. 1950. Die Aristie als Grundform homerischer Dichtung. Marburg.
Schuchhardt, C. 1928. “Die Befestigung des achäischen Schiffslagers vor Troja. In Festschrift zur Vierhundertjahrfeier des alten Gymnasiums zu Bremen 1528–1928. Bremen: 422–33.
Scodel, R. 2002. “Homeric Signs and Flashbulb Memory.” In Epea & Grammata: Oral and Written Communication in Ancient Greece, ed. Worthington, I. and Foley, J. M.. Leiden: 99–116.
Scodel, R. 2008. “Zielinski's Law Reconsidered.” Transactions and Proceedings of the American Philological Association 138: 107–25.
Scott, W. C. 1974. The Oral Nature of the Homeric Simile. Mnemosyne Suppl. 28. Leiden.
Scully, S. 1990. Homer and the Sacred City. Ithaca, NY.
Seeck, G. 1998. “Homerisches Erzählen und das Problem der Gleichzeitigkeit.” Hermes 126: 131–44.
Shah, P. and Miyake, A.. 2005. The Cambridge Handbook of Visuospatial Thinking. Cambridge.
Shive, D. 1996. “Ομηρον ἐξ Ἀισχύλου σαϕηνίζειν: Iliad 7. 332–338 and Agamemnon 433–455.” Phoenix 50: 189–96.
Simondon, M. 1982. La memoire et l'oublie dans la pensée grecque jusqu'à la fin du Ve siècle avant J.-C. Paris.
Singor, H. W. 1991. “Nine against Troy.” Mnemosyne 44: 3–39.
Singor, H. W. 1992. “The Achaean Wall and the Seven Gates of Thebes.” Hermes 120: 401–11.
Singor, H. W. 1995. “Eni Prôtoisi Machesthai: Some Remarks on the Iliadic Image of the Battlefield.” In Homeric Questions, ed. Crielaard, J. P.. Amsterdam: 183–200.
Slatkin, L. 2007. “Tragic Visualizing in the Iliad.” In Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature, Essays in Honour of Froma Zeitlin, ed. Kraus, C., S. Goldhill, H. P. Foley, and J. Elsner. Oxford: 19–34.
Small, J. P. 1997. Wax Tablets of the Mind: Cognitive Studies of Memory and Literacy in Antiquity. London.
Snell, B. 1924. Die Ausdrücke für den Begriff des Wissens in der vorplatonische Philosophie. Philologische Untersuchungen 29. Berlin.
Snell, B. 1953. The Discovery of the Mind, trans. T. Rosenmeyer. Cambridge, MA.
Spence, J. D. 1984. The Memory Palace of Matteo Ricci. New York.
Stanley, K. 1993. The Shield of Homer. Princeton.
Steinhoff, H.-H. 1964. Die Darstellung gleichzeitiger Geschehnisse im mittelhochdeutschen Epos. Munich.
Sternberg, M. 1978. Expositional Modes and Temporal Ordering in Fiction. Baltimore.
Taplin, O. 1992. Homeric Soundings: The Shaping of theIliad. Oxford.
Telegdi, Zs. 1977. “Zur Bedeutungsentwicklung von ΣΗΜΑ, ΣΗΜΕΙΟΝ und ΣΗΜΑΙΝΕΙΝ.” Acta Antiqua Academiae Scientiarum Hungaricae 25: 377–382.
Thornton, A. 1984. Homer's Iliad: Its Composition and the Motif of Supplication. Hypomnemata 81. Göttingen.
Trachsel, A. 2007. La Troade: un paysage et son héritage littéraire. Les commentaires antiques sur la Troade, leur genèse et leur influence. Bibliotheca Helvetica Romana 28. Basel
Troia: Traum und Wirklichkeit. 2001. Exhibition catalogue. Darmstadt.
Tsagarakis, O. 1969. “The Achaean Wall and the Homeric Question.” Hermes 97: 129–35.
Tsagarakis, O. 1988. Form and Content in Homer. Wiesbaden.
Ulf, C., ed. 2003. Der Neue Streit um Troia: Eine Bilanz. Munich.
Valk, M. L. 1963. Researches on the Text and Scholia of the Iliad. 2 vols. Leiden.
Wees, H. 1986. “Leaders of Men? Military Organization in the Iliad.” Classical Quarterly 36: 285–303.
Wees, H. 1994a. “The Homeric Way of War: The Iliad and the Hoplite Phalanx (1).” Greece and Rome 41: 1–18.
Wees, H. 1994b. “The Homeric Way of War: The Iliad and the Hoplite Phalanx (2).” Greece and Rome 41: 131–55.
Wees, H. 1997. “Homeric Warfare.” In A New Companion to Homer, ed. Morris, I. and Powell, B.. Leiden: 668–93.
Vasaly, A. 1993. Representations: Images of the World in Ciceronian Oratory. Berkeley.
Vega, M. de, Cocude, M., M. Denis, M. J. Rodrigo, and H. D. Zimmer. 2001. “The Interface between Language and Visuo-spatial Representations.” In Imagery, Language and Visuo-spatial Thinking, ed. Denis, M., Logie, R. L., C. Cornoldo, M. de Vega, and J. Engelkamp. Philadelphia: 109–36.
Vernant, J. P. 1965. “Aspects mythiques de la mémoire et du temps.” In Mythe et pensée chez les Grecs. Paris: 80–107.
Visser, E. 1987. Homerische Versifikationstechnik: Versuch einer Rekonstruktion. Frankfurt.
Visser, E. 1995. Homers Katalog der Schiffe. Stuttgart.
Wackernagel, J. 1877. “Zum homerischen Dual,” Kuhns Zeitschrift 23: 302–10 = Kleine Schriften. Göttingen (1953): 538–46.
Walker, A. D. 1993. “Enargeia in Greek Historiography.” Transactions and Proceedings of the American Philological Association 123: 353–77.
Webb, R. 1997. “Mémoire et imagination: les limites de l'enargeia dans la théorie rhétorique grecque.” In Dire l'evidence (philosophie et rhétorique antiques), ed. Lévy, C. and Pernot, L.. Paris: 229–48.
Weçowski, M. 2002. “Homer and the Origins of the Symposion.” In Omero tremila anni dopo, ed. Montinari, F.. Rome: 625–37.
West, M. L. 1969. “The Achaean Wall.” Classical Philology 19: 255–60.
Whitman, C. H. 1958. Homer and the Heroic Tradition. Cambridge, MA.
Whitman, C. H. and Scodel, R.. 1981. “Sequence and Simultaneity in Iliad Ν, Ξ, and Ο.” Harvard Studies in Classical Philology 85: 1–15.
Willcock, M. M. 1977. “Ad Hoc Invention in the Iliad.” Harvard Studies in Classical Philology 81: 41–53.
Willcock, M. M. 1978. Homer: Iliad 1–12. London.
Willcock, M. M. 1984. Homer: Iliad 13–24. London.
Willcock, M. M. 1987. “The Final Scenes of Iliadxvii.” In Homer: Beyond Oral Poetry, ed. Bremer, J. M., Jong, I., and Kalff, J.. Amsterdam: 185–94.
Willcock, M. M. 1993. “The Fighting in the Iliad,” ΣΠΟΝΔΕΣ ΣΤΟΝ ΟΜΗΡΟ: από τα Πρακτικά του ζ᾽ Συνεδρίου για την Οδύσσεια (2–5 Σεπτεμβρίου 1990). Ithaca: 141–47.
Wilson, D. 2002. Ransom, Revenge, and Heroic Identity in the Iliad. Cambridge.
Winkler, M. 2007. Troy: From Homer's Iliad to Hollywood Epic. Malden, MA.
Winter, F. 1956. Die Kampfszenen in den Gesängen M N O der Ilias. Frankfurt.
Woodman, A. J. 1989. “Virgil the Historian: Aeneid 8. 626–62 and Livy.” In Studies in Latin Literaure and its Tradition in Honour of C. O. Brink, ed. Diggle, J., Hall, J. B., and Jocelyn, H. D.. Cambridge Philological Society Supplement 15: 132–45.
Yamagata, N. 1989. “The Apostrophe in Homer as Part of Oral Technique.” Bulletin of the Institute for Classical Studies 36: 91–103.
Yates, F. A. 1966. The Art of Memory. Chicago.
Zanker, G. 1981. “Enargeia in the Ancient Criticism of Poetry.” Rheinisches Museum 124: 297–311.
Zielinski, T. 1899–1901. “Die Behandlung gleichzeitiger Ereignisse im antiken Epos.” Philologus Suppl. 8.3: 407–49.
Zoran, G. 1984. “Towards a Theory of Space in Narrative.” Poetics Today 5: 309–35.

Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.