Theodor Adorno and film theory : the fingerprint of spirit / Brian Wall.
PRINT BOOK
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Palgrave Macmillan
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2013.
Available at Main Library (PN1995.W26)
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Location | Classmark | LOAN TYPE | Status | MAP |
---|---|---|---|---|
Main Library | PN1995.W26 | 4 WEEK | IN LIBRARY |
More Details
Imprint |
Basingstoke : Palgrave Macmillan, 2013.
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Copyright Date |
©2013
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Description |
173 pages : illustrations (black and white) ; 22 cm
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Content type |
text
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Media type |
unmediated
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Carrier type |
volume
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Bibliog. |
Includes bibliographical references and index.
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Contents |
List of figures -- Acknowledgments -- Introduction. The fingerprint of spirit -- 1. The subject/object of cinema : The Maltese falcon (1941) -- 2. "A deeper breath" : from body to spirit in Kiss me deadly (1955) -- 3. Negative dioretix : Repo man (1984) -- 4. "Jackie Treehorn treats objects like women!" : two types of fetishism in The big Lebowski (1998) -- Notes -- References -- Index.
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Subject | |
ISBN |
9781137306135 hardback
1137306130 hardback
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4 WEEK