Sound theory, sound practice / edited by Rick Altman.
PRINT BOOK | Routledge | 1992.
Available at Main Library (PN1995.7A68)

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Main Library PN1995.7A68 3 DAY IN LIBRARY
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Imprint
New York : Routledge, 1992.
Description
vi, 291 p. : ill., charts ; 24 cm.
Series
Bibliog.
Includes bibliography (p. 271-282) and index.
Contents
Contents : The material heterogeneity of recorded sound / Rick Altman -- Theoretical perspectives. Four and a half film fallacies /Rick Altman ; Sound space / Rick Altman -- Reading, writing, and representing sound / James Lastra ; "She sang live, but the microphone was turned off" : the live, the recorded, and the subject of representation / Steve Wurtzler ; Wasted words / Michel Chion -- Historical speculations. Sound/history / Rick Altman ; Historical and theoretical issues in the coming of recorded sound to the cinema / Alan Williams -- Translating America : the Hollywood multilinguals 1929-1933 / Nataša Ďurovičová ; 1950s magnetic sound : the frozen revolution / John Belton -- Neglected domains. Sound's dark corners / Rick Altman ; Women's voices in third world cinema / Amy Lawrence ; The sound of early Warner Bros. cartoons / Scott Curtis ; Imagining the sound(s) of Shakespeare : film sound and adaptation / Mary Pat Klimek ; Conventions of sound in documentary / Jeffrey K. Ruoff ; And then there was sound : the films of Andrei Tarkovsky / Andrea Truppin ; A baker's dozen of new terms for sound analysis / Rick Altman.
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ISBN
9780415904568 (hbk. : acid-free paper)
0415904560 (hbk. : acid-free paper)
9780415904575 (pbk. : acid-free paper)
0415904579 (pbk. : acid-free paper)
3 DAY
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