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  • Cited by 22
Publisher:
Cambridge University Press
Online publication date:
August 2016
Print publication year:
2016
Online ISBN:
9781316676363

Book description

Although modernism has traditionally been considered an art of cities, Ecocriticism in the Modernist Imagination claims a significant role for modernist texts in shaping environmental consciousness. Analyzing both canonical and lesser-known works of three key figures - E. M. Forster, Virginia Woolf, and W. H. Auden - Sultzbach suggests how the signal techniques of modernism encourage readers to become more responsive to the animate world and non-human minds. Understanding the way these writers represent nature's agency becomes central to interpreting the power dynamics of empire and gender, as well as experiments with language and creativity. The book acknowledges the longer pastoral tradition in literature, but also introduces readers to the newly expanding field of ecocriticism, including philosophies of embodiment and matter, queer ecocriticism, and animal studies. What emerges is a picture of green modernism that reifies our burgeoning awareness of what it means to be human within a larger living community.

Reviews

'… it looks to Forster, Woolf, and Auden as ecocritics in their own right, working through problems of aesthetics, culture, and identity through complex and ever-shifting engagements with the nonhuman realm. … Reminding us of the fundamentally ecological engagements of modernism, Sultzbach presents a study that is compelling in its own right while also giving ecocritical approaches to modernism a touchstone for future work.'

Jon Hegglund Source: Modernism/modernity

'Ecocriticism in the Modernist Imagination is an excellent read and likely to strike important chords with ecocritics and modernists alike.'

Bonnie Roos Source: Interdisciplinary Studies in Literature and Environment

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Contents

  • Chapter 2 - The phenomenological whole
    pp 82-145
  • Virginia Woolf

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